#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

(Encounter bass)






 

 

Gtr I (E A D G) - 'Untitled'


  Gtr I
  E E E E E E E E Q  Q  Q  Q    E E E E E E E E   Q  Q  Q  Q Q  Q  Q
|-----------------------------|-----------------|---------------------|
|---------2-2-2-2-4--4--4--4--|---------2-2-2-2-|-4--4--4--4----------|
|-2-2-2-2---------------------|-2-2-2-2---------|------------2--2--2--|
|-----------------------------|-----------------|---------------------|


  Q  Q  Q  Q  Q  Q  Q  Q  Q  Q  Q  Q  Q    Q  Q  Q  Q
|----------------------------------------|-------------|
|----------------------------------------|-------------|
|-2--3--3--3--3--2--2--2--2--1--1--1--1--|-2--2--2--2--|
|----------------------------------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q Q Q Q Q
|-------------|-------------|--------------------|
|-------------|-------------|--------------------|
|-3--3--3--3--|-2--2--2--2--|-1--1--1--1-1-1-1-1-|
|-------------|-------------|--------------------|


  W        H.          E E E E E E E E   Q  Q  Q  Q
|--------------------|-----------------|-------------|
|--------------------|---------2-2-2-2-|-4--4--4--4--|
|--------------------|-2-2-2-2---------|-------------|
|-0--------0---------|-----------------|-------------|


  E E E E E E E E   Q  Q  Q  Q    Q  Q  Q
|-----------------|-------------|----------|
|---------2-2-2-2-|-4--4--4--4--|----------|
|-2-2-2-2---------|-------------|-2--2--2--|
|-----------------|-------------|----------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|-------------|
|-2--3--3--3--|-3--2--2--2--|-2--1--1--1--|-1--2--2--2--|-2--3--3--3--|
|-------------|-------------|-------------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  W          H.
|-------------|-------------|-------------|-------------|-------|
|-------------|-------------|-------------|-------------|-------|
|-3--2--2--2--|-2--1--1--1--|-1--1--1--1--|-1-----------|-------|
|-------------|-------------|-------------|----0--------|-0-----|


  Q.   Q.   Q.   Q.     Q.   Q.   Q.   H      Q.   Q.   Q.   Q.     Q.   Q.   Q.   H
|---------------------|---------------------|---------------------|---------------------|
|---------------------|-----------0----0----|---------------------|-----------0----0----|
|-0----0----2----2----|-3----3--------------|-0----0----2----2----|-3----3--------------|
|---------------------|---------------------|---------------------|---------------------|


                               Q.     Q.   Q.   Q.     Q.   Q.        W
|----------|----------|-------------|----------------|--------------|------|
|----------|----------|-------------|----------------|--------------|-0----|
|----------|----------|--------0----|-0----2----2----|-3----3-------|------|
|----------|----------|-------------|----------------|--------------|------|




--------------------------------------------------------------------------------


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting

/  - tremolo bar dip; n = amount to dip
 
  - tremolo bar down
 n/  - tremolo bar up
/n  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths



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** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site